Join Anouk Bijsterbosch in painting a still life! In this step-by-step plan, Anouk shows you how to recreate a painting from the Golden Age using Van Gogh watercolours: Still Life with a Silver Tazza by Willem Claeszoon Heda. Using watercolours, you can beautifully recreate the colour transitions and the transparency of the glass.
To recreate this picture, use Van Gogh watercolours in:
Titanium Buff 291
Permanent Lemon Yellow 254
Permanent Orange 266
Yellow Ochre 227
Permanent Red Deep 371
Burnt Sienna 411
Olive Green 620
Ultramarine 506
Lavender 525
Permanent Blue Violet 568
Raw Umber 408
Ivory Black 701
Start with a sketch.
Create a detailed drawing using Heda’s famous still life painting as your reference with your graphite pencil. Use clear, sharp lines.
If you don’t want to create your own drawing from scratch, you can also trace the image onto the water colour paper. Print a copy of the image and use the 4B graphite pencil to colour in the entire back of your sheet of water colour paper. This creates carbon paper, which allows you to easily trace the lines of the image onto your paper.
Prepare your workspace.
Place your palette next to your stretched watercolour paper (using painter’s tape). This is your mixing sheet on which you can mix the water and paint and test the colours.
Use the masking fluid to spare out a few interesting details, for instance the highlights on the drinking glasses and the strokes of light on the metal cup and olives.
TIP: To make sure the masking fluid doesn’t dry into the hair of your brush, apply a little bit of dish washing liquid to the brush before dipping it into the masking fluid.
We recommend starting with a wet-on-wet technique.
First, wet the parts you want to create your first wash of colour on using clean water. Then mix your watercolours on the palette sheet of paper and thin the mixture using water until you have a tea-like consistency.
Paint large blocks of paint to add colour to the whole surface of the paper (the foreground, middle and background). These colour washes should be very transparent so you can build up your painting. Work with large/broad brushes.
Start with the lightest parts of the painting.
Let your work dry completely and take a break (or use a hair dryer to make the paint dry faster).
In the next phase, you can apply the wet-on-dry technique with a paint consistency like milk.
Carefully add the shadows with darker colours. Use a pointed brush to shape the edges of the rough shapes. Work with the shadow line, here you can find the most information about the texture and colour of the object: smooth, matte, fluffy, metal, grainy, etc.
Try to avoid the lightest part as much as possible.
Work in layers.
Now you can apply an opaque layer to certain parts of the painting using a honey-like paint consistency (using a wet brush and almost pure paint from the tube).
Remove the masking fluid by using an eraser once the paint has completely dried to reveal the highlights of your painting.
Find drop shadows where the objects touch each other.
Add details using your finest, thinnest brush.
Use a dry brush and almost dried up paint to add the darkest spots to the painting.
This step-by-step plan was made for Royal Talens by Anouk Bijsterbosch. Find Anouk on Instagram via @anoukbijsterbosch and her studio via @deflorencestudio.
